Monday, April 4, 2016

I'm Still Here (Unfortunately)

It's amazing how quickly half a year can go by when you're working full-time. This blog looks abandoned. I'm still alive, though, and I'm still finding the time to enjoy my favorite time-wasting pastime despite a lack of time. I'm even still following game industry news, to some extent, even though I rarely buy new games anymore, and even though the current state of the game industry and today's so-called "gamer" "culture" make me sick. Sometimes I do want to abandon this blog and never write about games again because the whole thing has become such a joke.

I guess that's why, recently, I've been playing a lot of older games like Nosferatu: The Wrath of Malachi (which was fantastic), and if not older games then remakes of older games, like the latest Gauntlet (which is definitely not bad with friends). But, apparently, not even old and old-school games are safe anymore.

Last week, the Siege of Dragonspear expansion for Baldur's Gate: Enhanced Edition was released, and the Internet exploded upon discovering in the game some sparse but hard-to-overlook examples of what many believe to be ham-fisted progressive agenda-pushing and unnecessary injection of obnoxious political correctness. One controversial scene in the game is a cringe-worthy exchange with what appears to be a token transgendered character who, of course, brings up her gender transition so that we all know how progressive the writers are.

But hey, like, whatever. Let's all chill out and stuff. Right? Ultimately, as Siege of Dragonspear writer Amber Scott already pointed out back in August 2015 — in response to another discussion of the appropriateness of putting token minority characters in video games — she has the same right to creative freedom as any other writer.

As I've said before (and I won't say much more on this subject other than to get my perspective out there): I'm the writer and creator. I get to make decisions about who I write about and why. I don't like writing about straight/white/cis people all the time. It's not reflective of the real world, it sets up s/w/c as the "normal" baseline from which "other" characters must be added, and it's boring. I consciously add as much diversity as I can to my writing and I don't care if people think that's "forced" or fake. I find choosing to write from a straight default just as artificial. I'm happy to be an SJW and I hope to write many Social Justice Games in the future that reach as many different types of people as possible. Everyone should get a chance to see themselves reflected in pop culture.

Creators have the right to create whatever they want, just as customers have the right to refrain from buying those products if they don't like what they see. "Don't like it, don't buy it" is the law of the universe, as always. Sure, the character might have been a deliberate social-justice insert, but is it really hurting anyone? Of course not. So, if that's really what the developers want to do, I can only wish them good luck with it.

But then there's the character Minsc blurting out some line about "ethics in heroic adventuring" as if it were meant to get big laughs. Someone, please, just stab me in the face.

For readers who are not aware, the "ethics" gag is a reference to a stale joke from the early days of the GamerGate controversy that started back in 2014: "Actually, it's about ethics in game journalism!" The frequently repeated but rarely funny phrase, delivered sarcastically, was usually intended as dismissive mockery of the voices behind the #GamerGate hashtag, who claimed their interest was in ethics (i.e., the radical idea that game journalists should not write positive coverage and positive reviews for their friends or for others in return for personal favors). The implication here is that the true goal of GamerGate is not ethics but rather the random harassment females/minorities/liberals in video game journalism/development/fandom (take your pick of each), as GamerGate's opponents and the mainstream media have often claimed with cherry-picked online posts from anonymous nobodies as evidence.

I say this is usually how the joke was used because, occasionally, the most strongly anti-GamerGate folk seemed to be taking it a step further by actually making ethics itself the butt of the joke, unironically implying that good ethics is not something to which people should aspire but rather some kind of tool of oppression. Presumably these are the same people who balk at the use of evidence and facts and the idea of "innocent until proven guilty" when it comes to judging those accused of crimes against members underprivileged groups, for which, I guess, an accusation is supposed to be as good as a conviction. Likewise I can only assume these are the same people who criticize the very idea of free speech in the same way, as if they don't realize that free speech is exactly what allows them to be so annoying.

But none of this has anything to do with video games, right? Really, I shouldn't be able to come up with any excuse to bring up these issues on a video game blog. But in following "gaming" news, and in paying even a minimal amount of attention to the goings on in "gaming" culture, I've found that this social "justice" insanity is nearly impossible to avoid.

Regarding the "ethics" line, it's even less funny now than it was back then. It's not even topical anymore. The joke was already old when, in yet another slightly altered form, it was awkwardly slapped onto a page of a Thor comic last year. I'm sure all the social justice warriors high-fived each other, but readers who hadn't had the misfortune of stumbling upon idiotic Twitter drama were probably left bewildered by the extremely forced and obscure reference to something that had pretty much nothing to do with comics or anything about which actual comics readers are likely to care.

Putting this nonsense in Baldur's Gate is even more pathetic, given the timing. A year ago, some people might still have cared enough about GamerGate to be offended or amused by this, depending on their political views, but now I find it hard to imagine any reaction from anyone except a cringe and perhaps a disappointed sigh. It's frustrating to see a professional writer leave such a poop stain of an esoteric inside "joke" in a game which might otherwise have been good. Now, at least in the one moment in which a player hears that line, it's not good. While this single line isn't really capable of spoiling the whole product, it sure is a "wow that was stupid" moment. At worst, it's an inappropriate political statement shoved into a game where it doesn't belong. At best, it's a meme shoved into a game where it doesn't belong. And, last time I checked, game developers who use Internet memes as jokes in their games are no-talent hacks, regardless of your political leanings.

Honestly, though, in all seriousness, it's not just the one line that convinced me not to buy this game. I very much doubt that the overall writing quality is any good in a game written by someone who feels compelled to put anything like this in a final product.

To make matters worse, Siege of Dragonspear developer Beamdog's CEO, Trent Oster, can be seen on the Beamdog forums begging for positive reviews to counter-balance the negative ones which he sees as illegitimate:

Hi everyone. I usually spend most of my time lurking here, but I'd like to ask a favour. It appears that having a transgendered cleric and a joke line by Minsc has greatly offended the sensibilities of some people. This has spurred these people into action, causing them to decide this is the worst game of all time and give it a zero review score on Steam, GoG and meta critic. Now, I'd like to ask for that favour. If you are playing the game and having a good time, please consider posting a positive review to balance out the loud minority which is currently painting a dark picture for new players. Thank you. -Trent

Whether the severity of the low scores given to the game in those negative reviews are fair or not, asking customers to post positive reviews en masse with the specific goal of affecting a game's overall score is unprofessional. People who like the game enough to warrant a positive review will post one without being asked. More importantly, when one of those people does write a review, the given score should be a reflection of the game's quality according to that individual, not an attempt to exert the maximum influence on the average. When customers start writing reviews with the overall score in mind, the result is a misleading pile of zeros and tens with nothing in between, which is helpful to no one.

This last part doesn't really apply to Steam in particular, where "recommended" and "not recommended" are the only two scores that exist, but attempting to raise an army of like-minded reviewers is still an attempt to game the system. And yes, customers will often try to manipulate the average even when they aren't told to do so; there are already too many zeros, according at least to Oster, and he seems to think this is the reason. But I think it's likely that a lot of the negative reviews (many of which don't even mention the controversies described here) are not from trolls but from legitimately unhappy customers. It's not up to Oster to say that their reviews are any less real than the ones he's encouraging Beamdog's forum users to write.

Update (Wednesday, April 6, 2016)


I fully expected Beamdog to stick to their guns, to double down, to meet every complaint about any aspect of their game with an automatic accusation of bigotry while hiding behind a female writer and her poorly received (albeit well-intended) minority character. I didn't expect any acknowledgement of the game's shortcomings, and I certainly didn't expect any promises to make things better. But they surprised me. In another post on the Beamdog forums, CEO Trent Oster gives a quick recap of the negative reactions to the game and outlines some future changes.



While he expresses pride in the game (of course), and takes a clear stance against the harassment directed at the company's employees by angry internet people (of course), he also accepts the negative feedback on the transgendered Mizhena, namely that there wasn't sufficient character development to make her anything more than a token gesture of inclusiveness. Further down in the post, he mentions plans to patch up various bugs, to fix problems with the game's multiplayer mode, and even to remove the controversial (but mostly embarrassingly dumb) "ethics" line uttered by Minsc.

Like Oster's plea for positive reviews, this post is likely a reaction to the negative reviews flooding various sites. Last time I checked the reviews on the same three sites Oster had mentioned in his April 3rd forum post, my findings were as follows:
  • average feedback for the game was "mixed" on Steam, with 69% of reviews being positive, but with negative reviews absolutely dominating the "most helpful" list;
  • the user score on Metacritic was 3.8 out of 10, again with negative reviews rising to the top of the "most helpful" list;
  • the average rating on GOG was three-and-a-half out of five stars, with lots of negative reviews in the first few pages of a list which appeared to be sorted by helpfulness ratings like the others.
So maybe Beamdog is just backpedaling now in a desperate attempt to stop the bleeding. But if they're going to make an effort to make the game more fun and less obnoxious, it doesn't really matter why.

Thursday, September 3, 2015

Jimmy Kimmel Did Nothing Wrong

A notable drawback of simultaneously having both a blog and a life that my free time doesn't always synchronize so terribly well with the most blog-worthy of current events in the world of video games. As a result, a lot of what I'd love to write just doesn't get written; and what does get written, if time-sensitive, is often late. What I'm writing now is an example of the latter.

First, before I begin, let me make clear that I don't have much of an opinion on Jimmy Kimmel or his show. I've never seen an entire episode of Jimmy Kimmel Live. I know Kimmel best as co-host of The Man Show, and that was so long ago that I hardly remember anything except for girls on trampolines in the credits. My point is that I'm unbiased regarding Kimmel himself. I have no reason to dislike him, but I certainly wouldn't call myself a fan.

My only bias is my affinity for video games. And yet, somehow, I'm finding that my opinion on what follows is practically opposite that of the so-called "gaming community" (or, at least, of those who are so utterly convinced that they represent it).

It was at the end of last week that the Jimmy Kimmel Live segment on the recent launch of YouTube Gaming (embedded below) was uploaded to YouTube itself.


The response was far more hilariously impotent rage than should ever be directed at a comedy sketch. It's no surprise that anything critical of YouTube users would get an incredibly high proportion of "dislikes" from YouTube users (and thus the low rating on the video is expected), but there's also something else going on. The "gamers" of YouTube, perhaps out to prove the stereotype that nerds take things too seriously, have all but formally declared war.


"...sincerely the entire gaming community," writes one presumptuous moron after having a big cry. Try again, buddy. I don't like to call myself a "gamer" but I'm still a part of the so-called community which you're pretending to represent, and I think Jimmy Kimmel did nothing wrong.

Frankly, the whole thing is an embarrassment. I was embarrassed for YouTube even before I watched Kimmel cherry-pick the most insane comments he could find for his on-air response to the idiotic controversy. The fact that people are actually mad about a comedy sketch is bad enough. It was a comedy sketch. Moreover, as comedy often does, it made a good point.

And maybe that's why everyone on YouTube is so mad. Do people get this angry when they actually believe they're right? The point of view put forth in Kimmel's segment — that it's so ridiculous for someone to watch live-streaming or pre-recorded video of a game someone else is playing — could be met with any number of counter-arguments. None of them, however, require all the screaming and crying that the YouTube community has done in the name of "gamers" this week. That's just evidence that Kimmel struck a nerve.

Furthermore, while everyone seems to think Kimmel was mocking "gamers" in that first video, he actually did no such thing. He made fun of people who watch people play video games, a group which surely overlaps with "gamers" but not fully. The backlash against Kimmel, therefore, isn't coming from "gamers" as a whole. It isn't coming from the entire community of video game consumers, a significant portion of whom don't even use YouTube on a regular basis and would agree with Kimmel that watching other people play video games all day is ridiculous. Most likely, the backlash against Kimmel's jokes is coming instead from YouTube content creators and their fans. In other words, it's all of the people who watch videos of Minecraft for hours on end, but not all of the people who play Minecraft for hours on end.

For the record: I'm not saying I hate YouTube, or the people who post videos of video games on YouTube, or the people who watch those videos. I'm just saying the YouTube community, collectively, got a little too heated over this situation. People who are upset with Kimmel should try to be a little more understanding of the fact that, to the uninitiated, the idea of going on the internet to watch other people play video games is a little bizarre.

Technically, people watching other people play video games is nothing new, and it's not that unusual when you think about it. People have been doing it since long before this thing called YouTube Gaming was launched, and I'm not just referring Twitch. Watching people play video games wasn't invented on the internet. Most of the times I ever watched my brothers play video games at home, or watched strangers play video games in arcades, I was just waiting for my turn; however, sometimes spectating is genuinely entertaining, depending on the game and how spectacularly the player is either succeeding or failing at it.

On the internet, meanwhile, the act of watching footage of another person playing a game was old news even before streaming caught on. For many years, players have uploaded video walkthroughs, video reviews, machinima, and speedruns as well as other miscellaneous shows of skill. Video game tournaments have, for quite some time, been a spectator sport. I've seen a few speedrunning events (like AGDQ) and some tournaments (like EVO), and sometimes it's fairly entertaining even if I've never played the game in question.

Much of the "gaming" content on YouTube, however, is of the type seen only offline before broadband internet connections made uploading, downloading, and streaming high-quality video a trivial task. This stuff is more akin to watching your brother hog the television than to watching an e-sports tournament. I'm referring, of course, to the countless hours of videos and live streams of essentially random people — some of them minor internet personalities and other not-really-famous people — literally just playing video games — not for educational purposes, not for bragging rights, and not competitively, but just casually — and sometimes providing commentary while doing so. PewDiePie became the biggest thing on YouTube by doing this. Sure, he's an anomaly, but the popularity of this type of content is not limited to one weirdly successful guy.

I won't waste a lot of space explaining why I'm not the biggest fan of this particular genre of video, mostly because Kimmel already did it for me. His segment on YouTube Gaming was, after all, a mockery of this type of content specifically. The sketch clearly wasn't poking fun at instructional video walkthroughs, it almost certainly wasn't about live-streamed video game tournaments, and I'm pretty sure it had nothing to do with speedrunning. The joke was based on the absurdity of the idea that someone, rather than just playing a game, would prefer to watch someone else do it. There's no mockery of anything educational or competitive. The casual live stream and the "Let's Play" video, collectively, are the butt of this joke.

This is why it's so weird that "people watch sports" is such a frequently recurring comeback to Kimmel's video. Yes, people do watch sports; and in some contexts, watching video games is no different. But you have to be careful about how you use this analogy.

"Why do people watch sports?" the argument goes. "Anyone could just play sports, right?" I suppose we should note here that some people are disabled and cannot, but for the sake of argument, let's just pretend that everyone could play sports. "So why watch them?" It's because the sports on TV are played by professionals. They're good at it. While (almost) anyone could play sports, not everyone can play them at the professional level, and not everyone can play them so well.

So the sports analogy is great if you want to justify watching someone play a video game at a level of skill you are unlikely ever to reach. Unfortunately, much of the content on YouTube Gaming still doesn't apply.

Are you watching a speedrun? Are you watching a tournament? If you're watching either of these, then the analogy works. You're witnessing an impressive show of skill in a competitive (sometimes professional) environment to which you likely do not have access, and this is much like televised sports.

Are you watching some "funny" guy make weird noises and silly faces while playing some meme-game like Five Nights at Freddy's? Are you watching a scantily clad individual pose lewdly while some game is paused and minimized to the corner of the screen (and donations from viewers too afraid to find a proper porn stream are going through the roof)? If you're watching either of these, then no, that's not the same as watching televised sports at all. You could argue that it's entertaining for any number of reasons, but the sports analogy is no good.

Saying people watch videos for educational purposes works much better as a catch-all excuse for YouTube Gaming's entire existence. Technically, it only applies to actual video walkthroughs and other instructional content, but theoretically, any video of someone playing a game might happen to show the correct solution to your in-game problem. The average "Let's Play" series would make an incredibly inefficient walkthrough, but pretending it's educational is a lot less ridiculous than pretending it's anything like a sport.

Less convoluted justifications for watching "Let's Play" videos, and live streams of people playing video games, are these:
  • I can't afford to buy every game, so I want to watch a guy play this game so I can see what it's like without relying on carefully edited trailers which are sure to make the game look better than it is in reality.
  • The guy playing this game is just entertaining, and his reactions and commentary on this game are doubly entertaining because I like this video game too.
  • Video games are basically movies now, full of visual spectacle and humor and drama, and if this kind of stuff happens to be the main appeal of a particular game whose budget was spent on aesthetics at the expense of entertaining gameplay, then I might as well watch the game rather than play it.
  • You can't tell me what to do! I do what I want!
In any case, do you really need an excuse for your personal habits or a good counter-argument to the implications of some comedy sketch? (Hint: No.) The winning move was to laugh it off and move on, but YouTube's community lost hard by getting mad about it. More accurate analogies and more eloquently written objections to Kimmel's joke would not have saved them.

In summary: YouTube comments are still the butthole of the internet.

Thursday, July 9, 2015

Humble Bundle and Sunset

A Humble Weekly Bundle called Leading Ladies 2 ended earlier today. Maybe I should have posted about this bundle while it was still available, in the interest of not being a slowpoke. However, in retrospect, I'm glad I'm posting this after the fact. Even though this blog doesn't get many visitors, I wouldn't want to risk giving any free promotion to that particular bundle in any way. Mentioning it before now, even in a critical manner, might have had that undesired effect.

None of this has anything to do with the "leading ladies" theme of the included games, by the way. I have nothing against female characters or female protagonists in video games. Eternal Darkness: Sanity's Requiem, after all, was a brilliant game; Super Metroid was a brilliant game; Perfect Dark was a brilliant game. Sunset, however, was not a brilliant game. More importantly, the game's development studio (Tale of Tales) deserves no one's money.

The other games in the recently-ended weekly bundle, as far as I know, are wonderful; I know from first-hand experience that Trine 2 is a perfectly fine game. I also know that anyone who buys a pack of games from Humble Bundle can specify where every cent of his or her money goes: to Humble Bundle itself, to a charity (in this case the Girls Make Games scholarship fund via the Tides Foundation), to any of the developers of the games being offered, or to any combination thereof.

Unfortunately, I can only assume that the vast majority of customers do not bother with these options, and just use the default split (65% equally divided amongst developers, 20% to charity, and a 15% "tip" for Humble). Most customers probably just don't care, and what makes this especially bad is that the default settings will send money to the developers of all the games being offered, regardless of what a customer pays.


Typically, in any Humble Bundle, only a few games (in this case Trine 2: Complete Story, Lumino City, and Hack 'n' Slash) are available for any price (or a minimum of $1 for Steam-only games), while some more games (in this case A City Sleeps and The Marvellous Miss Take) are available to customers paying more than the average amount paid so far, and then some more games (in this case Gravity Ghost and Sunset) are available for a typically higher fixed price (in this case $12). As of the end of this weekly sale, the average amount paid was only $4.23; this means that the vast majority of customers didn't pay enough to get Sunset. However, the developers of Sunset still got money from every customer who didn't explicitly choose to put Sunset's share to zero in the options during payment.

More than 52,600 of these bundles were sold this week, the average paid was $4.23, and (as we can see in the image above) each developer gets approximately 9.3% of the revenue by default. If just about everyone used the default settings during payment (and "everyone" is probably a reasonably close estimate), the developers of Sunset raked in more than $20,600.00 during this sale. And this all happened after the previously abysmal sales of Sunset caused them to have a minor meltdown on social media in which they forsook commercial game development, whined about consumers and capitalism, and acted pretty childish in general.

Their oft-cited insults against "gamers" (shown below) are a joke, but still tasteless; moreover, they're the kind of joke that betrays the true feelings of the joker.

To paraphrase: "Ha ha, look how not mad we are; we're so chill that we're pretending to be mad as a joke! But really, we're incredibly mad."

And then there's this more serious quip:
And here's the best part of all:
In what universe could good video games (or a career in them) be possible without capitalism? But of course they hate the free market when they're the ones who put out the product which no one wanted.

I guess the point of this post is to remind people to be aware of where their money goes in the future. If you're paying less than $12 for a pack of games, there's no reason for any of your money to go to the developers of a game which is only unlocked for $12 or more, especially if those developers are talentless hacks known for being crybabies on Twitter.

Wednesday, June 3, 2015

Steam's New Refund Policy

Originally posted June 3, 2015; updated June 7, 2015 and June 8, 2015.
A shorter version of this article was also published on Gather Your Party on June 3, 2015. Read it here.



Original Post (June 3, 2015)


Just in time for the impending Steam summer sale — which is said to be starting next week — the Steam store has adopted a new policy regarding refunds and returns. In short, with a few very reasonable restrictions, you can get a refund on any game within two weeks of purchase as long as you've played the game for less than two hours.

Steam has, in the past, taken a lot of heat for its lack of a return policy. While many brick-and-mortar stores (at least in the United States) have incredibly lenient return policies (some not even requiring a receipt and thereby potentially opening the door to abuse), online stores selling digital content generally have a less-than-stellar track record when it comes to consumer rights. Actually, before now, Steam might have been one of the worst. Steam's customer support has a well-known reputation for being awful, and Steam developer Valve Corporation has had, for some time, an F rating with the Better Business Bureau. Pressure to implement a return policy has been especially strong from customers in the European Union (who have claimed, though perhaps erroneously, that they are legally entitled to refunds of Steam games according to EU laws).

The new refund policy is a huge step in the pro-consumer direction, and likely a much needed one after the paid mods debacle (which was so poorly received that the decision was quickly reversed). Personally, I don't think the idea of allowing mod developers to charge money for their work was such a fundamentally awful idea; free mods would surely continue to exist. Even if free mods had vanished completely as a result of Valve's meddling, it would have been more sensible to blame the modding community itself, rather than the company which merely provided what the mod developers were evidently so happy to use. In any case, Steam's reputation was damaged by that embarrassing fiasco. It's probably not wrong to speculate that the new refund policy is, in part, an attempt to repair some of that damage.

You can read the announcement and other details of the new policy on Steam's web site, but the key points (and their implications) are as follows:
  • Refunds can be requested "for any reason" (including general dissatisfaction).
  • You can get a refund within two weeks of purchase if your total playtime is less than two hours.
  • Failing to meet those requirements? Valve says "you can ask for a refund anyway and we'll take a look." So try it, and you might get lucky.
  • Pre-purchased products can be returned "any time prior to release" and up to fourteen days after release if your playtime is less than two hours.
  • Refunds on in-game purchases are up to the developer.
  • Some DLC might be non-refundable for various reasons (e.g., consumable DLC having already been consumed).
  • Money is refunded using the original payment method, if possible. Otherwise, the money goes to your Steam Wallet by default.
    • This means, in most cases, you can in fact get a "real" refund after paying with "real" money. Fears that customers will always be reimbursed in Steam credit, which must then be spent again on Steam, are largely unfounded and inspired by poor reading skills.
    • It also means, if you do make a purchase using your Steam Wallet, you will be reimbursed in Steam credit. The return policy is not a trick to turn Steam Wallet funds back into regular money. If that were allowed, they would simply allow Steam Wallet withdrawals instead. You can, however, request a Steam Wallet refund, and get your money back out of the Steam Wallet if you placed it there yourself in the past fourteen days.
  • Refunds are not allowed for anything purchased outside of the Steam store.
    • If you're concocting a stupid plan to acquire inexpensive or free Steam keys from third-party sources like Humble Bundle and then return them to the Steam store for a refund of the full retail price in order to get free money, it's not going to work.
  • Refund privileges will be revoked from individual users if the system is abused.
    • If you're thinking you can get away with buying and returning a game repeatedly in order to play it for free indefinitely, you're wrong. Valve isn't that incredibly stupid, and they will shut you down.
  • If you bought a game for full price right before the start of a sale, it's totally okay to return it for a full-price refund and then immediately buy the game at the discounted price.
    • Obviously, this means the refunded amount for any purchase is the amount that was originally paid. If you think you can get free money by doing the opposite of the above — that is, buying a game on sale and then requesting a refund when the price goes back up — you're out of your mind. Steam has a record of what you paid.
This looks pretty great, especially in comparison to the old policy of refusing refunds outside of extraordinary circumstances. Some might wish that refunds were not limited to purchases in the past two weeks or games played less than two hours, but at least this is a step in the right direction. There are some additional restrictions, as well, but they're all rather predictable and understandable, so it's hard to imagine this policy causing a lot of grief to consumers as long as Steam upholds its end of the deal.

However, while the response from Steam users has been mostly positive despite the restrictions, some independent developers of very small games (and those sympathetic to their situation) want the policy to be more restrictive. Allowing two whole hours of playtime before a full refund, they claim, is too much. As one indie dev puts it:

At least one games writer has also voiced her support of this viewpoint by suggesting a petition to change the policy:

While I can understand the concerns of those who develop very short games which might be completed in less than two hours and then returned, I also want to say "welcome to a real economy for the first time ever" and stress that refunds are a normal part of most business. The video game industry (or, at least, the biggest digital store on the PC end of it) is late to this party. Other industries have to deal with returns, and they do so without complaining. People wear clothes and then return them all the time. Of course, most people do buy clothes to keep them, which brings me to my next point: Not every customer is malicious.

Sure, customers can play through the bulk of an incredibly short indie game within the allowable refund time frame and then get a refund, but they can also engage in straight-up piracy with a negligible chance of getting in any real trouble at all. It doesn't mean they'll actually do either of these things. A satisfied customer probably isn't going to return a game that he or she enjoyed, even if doing so is legal. That's the action of a dissatisfied customer who doesn't want the developer to have any money. If indie developers (who seem to have so much faith in community-driven tools like Kickstarter and Steam Greenlight) can't get people to keep their games without asking for a refund, they might have bigger problems than the exact playtime cut-off point in Steam's return policy.

Three things still do concern me about the return policy:
  1. Steam only allows the actual players of a game to review it, and this is great because it prevents bogus reviews. However, the new refund policy makes it easier to abuse the review system. Someone who wants to write a bogus review can now do so without losing money. Just buy the game, play for a few minutes, review it and return it. I'm not sure what Steam can do about this, though. I certainly don't think people should be unable to review and return the same game. Whatever prompts a customer to request a refund might be exactly the kind of information which belongs in a review.
  2. Some games don't use Steamworks and can be launched from the .exe file without using Steam. In these cases, one could copy the game files elsewhere and keep the game even after uninstalling the Steam copy and requesting a refund. Again, however, I'm not sure what Steam can do about this. It's an inherent risk of selling DRM-free software. Humble Bundle and GOG both sell DRM-free games, and both have return policies which could be abused.
  3. Less importantly, as far as I know, there's nothing to keep someone from buying a Steam game, playing for a couple of hours to get its trading cards, selling those cards on the Steam market, and then returning the game for a refund. I'm not sure if Valve would even see this as a problem, considering that they make money from every Steam market transaction, but developers probably wouldn't like it. I'm guessing this is included in the types of abuse for which a person's refund privileges would supposedly be revoked according to the policy. (Update: It seems trading cards no longer drop within the first two hours of gameplay.)
Developers might worry about the first issue, but the potential for this kind of abuse only makes Steam's review system almost as unreliable as one which makes no effort to weed out non-customers, such as the user reviews on Metacritic. I'm not even convinced that Steam reviews were ever taken more seriously than Metacritic user reviews in the first place. Any developer worried about the second issue should already be using Steamworks or some other DRM, and the third issue is probably (update: now definitely) a non-issue. In any case, none of these things create a convincing argument for flushing consumer rights down the toilet.

Update (June 7, 2015):


Want more Twitter drama? Today is your lucky day. Yesterday, independent developer Qwiboo tweeted a graph showing a dramatic drop in sales of the game Beyond Gravity, occurring around the time that Steam introduced its new refund policy.

https://twitter.com/qwiboo/status/607234539262373888

This looks pretty bad. Perhaps the refund policy is hurting independent developers more than I expected. Then again, this particular graph doesn't prove much. If you look up the game's Steam store price history on the third-party price-tracking site SteamPrices.com, you'll see that a special offer ended at approximately the same time:


The full price of the game is only $1.99, but this 50% discount knocked it down to only $0.99 (which is pretty significant). This information was omitted from Qwiboo's tweet, which also fails to show sales data from before the special offer began. So, wait a second, is this indie dev seriously misrepresenting the sales data to argue more convincingly that Steam's new refund policy is bad for developers? I mean, sure, we would expect sales figures to drop a bit when a refund system is put into place, but the graph originally tweeted by Qwiboo does nothing to prove that the decline in sales is the tragic result of a new return policy rather than the predictable result of a special offer coming to an end.

Bored and unable to sleep in the middle of the night, and not really bothered by the possibility of making enemies, I went and pointed this out on Twitter:

What I had stupidly failed to realize was that, hours earlier, Qwiboo had actually posted additional data which is much more informative, as it shows the recent sales decline in comparison to other times when a discount went away:

https://twitter.com/qwiboo/status/607269536623042560

Their sales always rise and fall as discounts come and go, as expected, but this game's sales do seem to go lower than ever at the very end of the graph (which is when the refund policy was introduced). When I saw this newer graph, I posted a correction to my Twitter feed:

Unfortunately, I doubt Qwiboo ever noticed it; almost immediately after my first tweet, this happened:


Oops! Sadly for Qwiboo, the act of blocking my account didn't really do anything except hide my tweets from Qwiboo and prevent me from seeing their page while signed in. It prevented no one else from seeing my criticism, and in fact only made it slightly harder for me to find out about that second graph which led me to post a correction. I'd feel worse about the whole situation if not for Qwiboo's reaction.

Anyway, I guess the takeaway here is that some independent developers might have been right to fear the new refund policy on Steam. At least some of them, Qwiboo included, really are losing sales.

I still do, however, stand by what I wrote before. The new policy is a strongly pro-consumer move. Steam might need to work hard to prevent abuse of the refund system, and they might even need to add more restrictions regarding what can and cannot be returned in order to make this work for everyone, but I won't be convinced that allowing refunds is a fundamentally bad thing just because developers had gotten used to an economically abnormal situation which was truly bad for paying customers.

While it was unfair of me to imply bad things about Qwiboo before doing enough research to see their updated sales graph, I'm still not sure if anyone should feel bad about their current sales predicament. Here's why: I haven't played Beyond Gravity. I don't know what it's like. How long is the game? How fun is the game? Is it well made? Does it suck? Sure, maybe the game is so short that people really are able to abuse the system by playing every bit of the game within the allotted two hours and then requesting a refund. On the other hand, maybe the game is being returned simply because it's bad, and maybe those previously higher sales figures represent a lot of dissatisfied customers who would have returned the game if they could have done so. I can't rule out that possibility. I just don't know.

Furthermore, I'm sure a lot of people are currently using the refund system as a risk-free way of trying a game, but I still don't know that this is a bad thing. There should be a risk-free way of trying a product before putting down the money. More specifically, I believe every game should have a playable demo, and certain people in the industry disagree but their reasons for disagreeing are thoroughly anti-consumer. They are afraid that players will no longer want to buy their games after playing demos; in other words, they want to prevent customers from having the ability to avoid products with which they would ultimately be dissatisfied.

If people are trying and returning full games as a substitute for playable demos which don't exist, the developers or publishers are to blame for not supplying playable demos. If people aren't keeping the games after trying them, it's only because they're able to make more educated decisions about their purchases, and wishing to deny your customers this opportunity is the same as hoping that your customers get tricked into buying things they don't like. That's pretty terrible.

A person who likes a game is still going to keep it. A person who returns a game for a full refund obviously didn't like the game and is dodging a bullet. A developer who complains about refunds, and who has no evidence that the system is truly being abused, perhaps needs to focus on making a better game instead of complaining.

My advice to developers is this: Make good games that won't be leaving customers with a desire to get their money back, and (although I hate to say it) make sure you implement some kind of DRM if you're uncomfortable with the risk of not doing so.

Update (June 8, 2015):


I'm a little disappointed that people keep on retweeting and quoting my first tweet about Qwiboo (in which I hastily made a judgement based on limited information) while my second tweet about Qwiboo (in which I corrected my erroneous implications) is being ignored. But I guess that's just how Twitter works sometimes.

Anyway, I'd like to mention another independent developer now. They've gotten quite a bit of attention after reporting a dramatic loss in sales following the introduction of Steam's new refund policy:

https://twitter.com/puppygames/status/606391655483211776

They had more to say as well:




Puppy Games is the developer of stylish faux-retro/arcade-style games Revenge of the Titans, Droid Assault, Titan Attacks!, Ultratron, and the upcoming Basingstoke. I've played the first four of these games, which I bought back when Puppy Games was featured on Humble Bundle, and I actually like this developer's work. I really enjoyed Titan Attacks! and Ultratron, the latter of which I've played for a few dozen hours in total. Because of this, I'd be a little surprised if Puppy Games' recent drop in sales were truly the result of returns by legitimately unhappy customers. Then again, I realize that this developer's games are not everyone's cup of tea.

In any case, despite how I feel about their products, I'm finding it really hard to feel bad for Puppy Games no matter how low their sales go. Long before the new Steam refund policy was announced — in August of last year, to be exact — Puppy Games posted a truly idiotic and somewhat self-contradictory anti-consumer rant on their blog, followed by an only slightly believable and still obnoxious "just kidding, it was all just a ruse for attention" post two weeks later. Regardless of how serious they were when they called their customers worthless, and regardless of what hidden intentions prompted them to write such intentionally inflammatory garbage, the whole ordeal pretty much cancels out any sympathy I might feel for them now.

To make matters worse, in regards to refunds, they tweeted this yesterday:


Personally, I like their games, as I mentioned already. However, this doesn't mean I agree with the way they've rudely dismissed the very sensible notion that perhaps developers who don't want to see their games returned should try harder to make games which people want to keep. At least they were being more sensible earlier today:


So, regarding implementation: Even if the refund policy recently introduced on Steam could use some fine-tuning, any revenue lost due to legitimate refunds is not something for which anyone should apologize. Happy customers typically don't request refunds at all, and unhappy customers deserve to get their money back, so refunds are justified almost always. The system can be abused, but I doubt this is the case for Puppy Games. It almost certainly isn't a case of players returning the games after finishing them, because (with the possible exception of Titan Attacks!) the games have more content than one is likely to see in only two hours. Maybe people are buying games to try them, and maybe Steam will eventually come out and say that this counts as abuse of the refund policy, but I still think it's fair when no playable demo of a game is made available.

I doubt I'll be updating this post again unless Steam's policy changes, so to close it out, I'll post some more tweets. First, here's some evidence that the refund policy isn't so bad for every independent developer:




Finally, some wise words from the HuniePop Twitter account: